mc930 or sr20/sr25 low enough for upright bass? Earthworks markets the SR69 (aka SR20) as a handheld vocal condenser microphone for live applications. Even, i have tc30k's, love them. I am shopping for some mid grade overhead mics. When I need a quick acoustic guitar part, I use my SR20. Its near-perfect cardioid polar pattern is consistent across all frequencies, simplifying mic placement and ensuring more gain before feedback. The KickPad A good kick drum microphone needs to be designed and optimized for that specific purpose. If you are looking for a step up I would go for the earthworks but get a cartoid if you don't have a great room. You need an account to post a reply. I havn't tried the TC20s though. Hey there! Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Darker? The high end is pleasing on cymbals and doesn't hype anything. as stated, they rule for percussive stuff, tambo, etc--. I've never used the SM81's on drums, but we use them at school for remote stereo recording. Recently heard an aea r88 (with the aea trp pre) being used as overheads and it sounded really good too. Condensor: Earthworks SR25 (cardioid) are the overhead mics used in the "live" Drumkits and are well worth it. Earthworks makes good mikes, and this one should be a bit flatter and more accurate than the KM184, so it's another flavor. Because I only had one SR69. From subtle strums on an acoustic guitar to powerful crashes of cymbals, the SR25 never compromises your sound. very low handling noise, and nearly impossible to pop. The Earthworks SR25 is a stainless steel workhorse. They are exceptionally crisp without being too harsh (unless you are in a small bright space) and really bring out the tone of a drum kit. Take a look at the KEL HM-1 as a OH'S mic, they sound pretty good. I have an SR20. Good Versatile SDC Pair for Studio and Stage, Already have an account? site1skuJ06345000000000 site1prodJ06345 J06345 site1skuJ06345000000000 Earthworks SR25 Cardioid Condenser Mic Skip to main content Skip to footer Rocktober Call & Save on Limited-Time Deals. The TC omnis really shine in great spaces but the cartoid will give you more options afterwards. I used to mike guitar cabs with Earthworks mics, when I owned them. Yes, thinking back over your C4's what qualities would you look for by comparison? Hey there! they are really great as handheld vocal mics for people used to cupping sm58s. The SR25 provides a transparent sonic character with a 20 Hz - 25 kHz frequency response, faithfully capturing every detail along the way. For omni, see the TC series or...a pair of Avenson STO-2. Small diaphragm mic test on acoustic guitar for magazine story. Your asking gear slutz if you should buy a nice microphone? And the one SR69 I had in my possession I was reserving for the snare drum. What direction do you want to go vs. your C4 pair which you like? A mic as versatile as you. I have a pair of Kel HM-1's and am very familiar with the earthworks TC30 as well as the Earthworks cartoid. Description The Earthworks SR25 is a cardioid instrument microphone designed for miking drums and electric guitars in live performance and studio recording environments. Smoother mids? Why? I'd love to say it would be used for some delicate string or acoustic recordings, but those gigs don't seem to roll through that often for me. I love the way they are able to accurately pickup acoustic instruments, and overall, I think they sound great. Brighter? I know this probably isn't much help, but I figured I'd weigh in. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. Earthworks mics are great, to me they sound ultra-clean! Will it set itself apart from my other mics? Never used one, but I've never heard a SDC capture a cab better than a good dynamic, ribbon, or even some LDCs. Has anyone tried them on cabs for the "in the room sound". A tightly controlled cardioid capsule keeps you in control of your sound, eliminating phasing issues and bleed that muddy your sound.

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